Welcome to my review of 2021, where I have ranked all 53 movies I watched for the first time this year. This excludes about two dozen movies I rewatched, which feels like cheating, in some way. The Third Man is still my favorite movie of all time and I watched Kiki’s Delivery Service twice this year. Both are great, but I’ve seen them lots of times. This is about movies, new and old, that I experienced for the very first time in 2021.
For those I wrote about as part of my series where I look for the Best Movie of All Time or, in the case of Nomadland, as part of my series about comparing every single Best Picture Oscar winner to Crash, I have linked to the corresponding post. For all of them I have provided some reasoning for their placement.
|1||Evangelion: 3.0+1.0 Thrice Upon a Time|
The conclusion to Neon Genesis Evangelion has been in production for so long that it felt like the end would never actually happen. The fact that the critical and fan response was almost universally positive to the final piece of a revered cornerstone of a strange subculture is a marvel in itself, especially when you consider how often the reverse happens. It’s become expected that the ending to anything will disappoint, to the degree that even if this was just okay, that might be enough.
It’s far better than okay, though I couldn’t recommend it to anyone that doesn’t already know what I’m talking about. If you’ve ever been even mildly curious as to what Evangelion is, this final part of a four-part film remake of the original show is absolutely worth your time. If not, this is too weird for me to suggest you start here. That said, I could not have dared to believe the ending would deliver the way this one does. I’ve come back to it four times this year and I find something new every time. When placed against “normal” cinema, it’s hard to say what to make of this, but as a singular thing it is almost remarkable beyond description.
Still sticks with me. One of the greatest movies ever made. I also can’t imagine enduring it again right now, for what that’s worth. Whew.
This one’s grown on me. I loved it, obviously, but I like it even more when I think about it offhandedly. I really recommend this one but I also get that it may not be for everyone.
|4||In the Mood for Love|
The sequel is much, much lower on this list.
One of the only new movies I saw this year, somehow. Excellent, though it really will depend ultimately on how part two works out.
|6||Weathering With You|
I need to watch this again. It’s forever tied to Your Name, one of the single most successful animated movies of all time, and I think that comparison puts it in weird space. I watched Your Name again this year and it’s certainly a better movie, and an all-time film, but I love the charm of this one.
Still agree this was the right call for Best Picture and it’s rare that the feeling persists through the year.
Almost hard to watch this during the Trump years and what’s come after, but worth the experience. Do you want to know more?
I want to watch more Jim Jarmusch films in 2022. What’s your favorite?
It’s rare that you just know you’ll never watch a movie again and still love it. The experience of this one is too trying to revisit it, but one time through I think it’s really worth anyone’s time.
I recommended this one to a few people and I watched it twice this year, which is not common for me. Maybe the most approachable movie on this list, which feels weird to say but may be true.
Will forever be remembered for the dumb Oscars ceremony this year, but should be remembered for a haunting performance by Anthony Hopkins.
I prefer Stalker, by the same director with similar themes, but the ending here will knock you out.
|14||Bloody Nose, Empty Pockets|
I never hear anyone talking about this one, but the experience of being in a weird bar with weird people, especially as we spend time at home and lose this sort of strange experience, feels very novel now.
|15||Dick Johnson is Dead|
I don’t agree with some of the approach of this movie but I love what they made. You don’t have to 100% love everything about a movie to respect it and to marvel at it.
|16||Sound of Metal|
I read Drew Magary’s book about having a traumatic brain injury this month and it made me appreciate this movie even more. Highly recommend both.
|17||No Sudden Move|
I watched this again on a whim. Loved it even more the second time. There’s not really all that much to it, it’s just a great watch. Matt Damon’s performance here deserves more love, too.
I could never watch this again, but what an experience to do once.
I do love Sterling Hayden, but this is already fading from my memory. That first 30 minutes is great, though.
Feels even more slight now than it did when I finished it. The perfect example of a fine film but not one that’s going to set anyone on fire. I think that’s fine, though, right?
I watched several interviews about the ending to this one. I really recommend it just to see where it goes.
I’m really glad Youn Yuh-jung won the Oscar for this one. It would have been a tough year for it to win anything beyond that, but that’s still something.
|23||Bande à part|
I don’t even know if I recommend this one, but this feels like the right spot on the list. This isn’t the actual middle, but there’s a big difference above and below this line.
|24||Borat Subsequent Moviefilm|
I stand by my review of this as a film. There’s much more going on here than in the first one. It feels crazy to say that, but I really believe it.
|25||Promising Young Woman|
I don’t think I nailed this review. This is a daring movie about a daring subject and it’s really fantastic. I think as a man in America, this one’s important not just to see, but to consider deeply. The surface is obvious, but there’s even more than that.
|26||Vivre sa Vie|
I love the parts I love, and this one’s a classic, but the chunk towards the end is emblematic of how people feel when you say “well, it’s a French classic, and…”
|27||Judas and the Black Messiah|
This is a great example of asking you to go deeper on what you think you know about a real story. The performances are great, but I especially love LaKeith Stanfield. I think this is his best role other than Sorry to Bother You, which is a masterpiece.
I’d never seen it and watched it on a whim. Even better than I expected. Tilda Swinton is something else.
|29||The Death of Stalin|
I loved it, but not as much as In the Loop. I think In the Loop is one of the five best comedies ever made. This one’s much darker and almost as funny, but I couldn’t help comparing the two.
|30||The Seventh Seal|
A classic for a reason. Better than you’d expect, especially if you’re worried it’ll feel detached and snooty.
Another one I’d somehow never seen all the way through. I watched this because of how much I loved Starship Troopers. This feels equally relevant now, which is not a new take on my part, but it isn’t quite as interesting to me personally.
|32||Once Upon a Time in the West|
A classic western with some classic performances, but it drags a lot and it’s hard to not view the problems with it through a modern lens. This is too low objectively, but it’s the right spot for me personally.
|33||Master and Commander: The Far Side of the World|
This is probably controversial and it’s not intended as a slight, I just had my expectations set wrong for this one. It’s a pretty perfect piece of filmmaking and it deserves the reputation it has. Some element of every person’s rankings is personal preference and I’d still say everyone, regardless of who they are, should see this.
Uncut Gems for another generation. Exhausting, but intentionally. Makes me tired just to think of it.
I do not like Blowup as much as other people. I’m fine with that.
I think the first segment of PlayTime is a true marvel. It’s pretty shaggy, though, and it makes the same point over and over. I get why it’s a masterpiece, but watching it now the enjoyment graph goes in the wrong direction: I loved it, then I thought it was fine, then I liked it.
The newest film on this list. I think there’s a lot to like here, but I never really got over the central conceit. It’s going to be interesting to rewatch this and to see what people think when it goes into wider release.
|38||Across the Pacific|
A racist movie from a racist period. Some pretty good Bogart stuff. You can probably skip it.
|39||The Trial of the Chicago 7|
Sorkin at his most Sorkin.
|40||Minnie and Moskowitz|
Someday I picture myself being cornered in a conversation by someone explaining to me why the love story in this one is actually magical. I’d welcome that conversation, sorta, because I love little pieces of this one but I really just do not like the love story. I get it that problem is part of what you’re supposed to want, but no thanks.
I said all I’ve got to say in my review, but the core is that this is not the story of Citizen Kane, even if it’s pretty interesting to watch one man fall apart.
|42||Bringing Up Baby|
One of the 100 greatest movies ever made on almost every list, but just doesn’t hit me right. I need to see it again and will, eventually.
|43||Wonder Woman 1984|
I also watched the first one again this year and loved it, again. I just don’t think the sequel works, largely for the reasons everyone else does.
The sci-fi pieces of this one are unwatchable, both boring and off-putting. I really, really love the other segments, but the thing doesn’t stich together for me.
|45|| Un chien andalou|
I don’t even know where to put this. It’s central to film history but it’s also exactly what it is. It feels like a cheat to put it anywhere. It’s either the best or worst movie ever, I guess, though I do think you should watch it if you haven’t.
|46||The United States vs. Billie Holiday|
The central performance is excellent, but that’s it. The story is a mess and it’s not very interesting to watch. The reviews were negative. It’s just not a very good movie, as simple as that.
|47||I’m Thinking of Ending Things|
I am more interested in this movie than almost anything down here at the bottom of the list. Jesse Plemons was on WTF with Marc Maron recently and admitted that the whole cast had to ask, during filming, what the movie was about. All of them, not just a few, had no idea what the purpose of what they were making was or what to make of the ideas. I really do not like the final product, but how interesting is that? There’s a lot in here that is worth getting out of it, which is why it’s usually better to make a weird failure than it is to make a boring success, but I really just get a sour taste in my mouth when I think about it.
This is going to win a million more awards this year and maybe it should. It’s not terrible, but I really feel like there is an Emperor’s New Clothes element to this. It is possible to not like something strange for reasons beyond not getting it.
|49||The Nowhere Inn|
I love everyone involved here, but this would work better as a short than it does as a movie.
The remake robs the original of everything that makes it worth seeing. Not even worth watching this, even if you love or hate the original.
|51||Last Year at Marienbad|
The ultimate Emperor’s New Clothes movie, to borrow the line from above. Some reviewers seem to think anyone who loves this is kidding and I can see that. It’s possible to read even the positive reviews as negative, given the way they have to talk about the sparseness and ambiguity. It’s an interesting movie, but I hated it.
|52||RahXephon: Pluralitas Concentio|
I watched all of the anime RahXephon this year because people compare it to other things I like. It is terrible and the movie connected to it is even worse. It is barely possible to parse this as a story. I would not recommend this to anyone, for any reason.
The worst movie I saw this year and worse than anything I can remember in recent years. A strong contender for the worst film I’ve ever seen. A dark, terrible message delivered poorly. It is a negative force in the world that this exists, which makes it worse than movies that are constructed more poorly. Meandering, internally conflicting, and intentionally dishonest, with a brutal, cruel ending. I would recommend you watch any other movie, no matter what, twice, instead of this once.
In 2022 we’ll be doing some different stuff around here, likely some larger discussions of film with fewer Best Movie reviews. We’ll watch the Oscar nominees when they come around, as we always do. We may try some new stuff, too.
Hope to see you in the new year!