Louis C.K.’s critically acclaimed show Louie’s fourth season runs as two episodes every Monday night. Rather than just answering the question of “are these episodes good,” (because the answer is always yes) we’ll talk about the big lessons imparted in each episode. This week: Louie looks at his love life and does not like what he sees; Louie deals with Mentos.
Episode 7: “Elevator (Part 4)”
It’s very difficult to separate “Elevator” into episodes. Louie has always been compared to film in a stylistic sense — it’s much more like film than television — but only now is the structure of the show an actual damn movie. “Elevator” concludes next week, but we already know enough to work with it now.
Louie owns up to the fact that he isn’t really doing anything productive with his love life, and that’s a hard thing to admit. We’ve all had to admit to a drunk friend that we’re in a relationship that’s well past the expiration date, but Louie’s got the opposite problem: He can’t actually date Amia, because she’s going back to Hungary soon. He can’t start a relationship.
Louie is a “dark” show. When I’ve met people that aren’t into it, the most common complaint is that it isn’t funny. There’s nothing funny about Louie’s plight with Amia, or with his struggles to stay cordial with his ex-wife so that his kids will be happy, or his general life in the world of the show. The laughs are there, but that can’t be why you show up.
During a flashback, Louie deals with one night on a trip where he and his then-wife stay in a hotel room. It is the most realistic portrayal of a long relationship I’ve seen in months, and it’s that realism that makes the show feel cinematic. It’s not an episode of television that happens in a hotel room; it’s a look into people that have to leave that hotel room and go back to life later. I don’t want to spoil it, but the lesson is the same one any good Eagle Scout knows: Be prepared.
Episode 8: “Elevator (Part 5)”
It’s hard to say how the fifth part is without the sixth, but the problem in it for Louie could exist outside of any continuity. Louie has to deal with what his relationship with Amia means if it doesn’t mean sex.
The best part about this whole story is that Louie loves Amia as an ideal. He loves someone who seems nice and fun and happy, but he just doesn’t really know that much about her. This kind of love story makes my eyes roll in most situations because there’s nothing worse than someone in love with the idea of love. You want someone to love specifics, not just “the essence of Sarah.” No one’s essence alone will get you to year two.
It works in Louie because it helps Louie understand that he’s not actually furthering himself. He’s just spending time with someone that feels like a partner, not a partner. This same story would be a happy one in a rom-com. It’s more than a little sad here because it reinforces the idea that everyone is a person first, and if you love them as an ideal then you’re just not actually in love with anyone who really exists. You’re not being honest with them or yourself.
Louie‘s love story will conclude next week and with that episode will be a larger lesson. Today’s, though, is a healthy part of a grown-up diet: Love someone for who they are, because all of that other shit will fade in two months.
Alex Russell lives in Chicago and is set in his ways. Disagree with him about anything at firstname.lastname@example.org or on Twitter at @alexbad.