Major Issues: Rasputin #1


In Major Issues, we look at one newly released comic book from the last week.

Gardner Mounce

Rasputin #1
Story by Alex Grecian
Art by Riley Rossmo
Colors by Ivan Plascencia
Letters by Thomas Mauer
Published by Image Comics 10/29/14


There are few historical figures as primed for a magic realism retelling than Grigori Rasputin. The man survived something like (let me check my research) seven thousand assassination attempts. In Rasputin, Alex Grecian suggests that the mad monk’s knack for avoiding the grave wasn’t luck, but magical abilities.

Issue #1 begins at a dinner party. Rasputin is offered a glass of wine which he’s certain is poisoned. In narration, Rasputin muses on the origins of his name and mortality. The art in this scene is dark and full of cramped panels with off-kilter compositions. Oh, and let’s not forget the fact that a ghost, which is presumably only detectable by Rasputin, is standing behind the mad monk’s chair the whole time. More on that in a second.

Off a shot of Rasputin toasting his hosts with the poisoned wine, we’re transported back to Rasputin’s childhood home in Siberia where he helps his mammoth father collect firewood. This scene, and the one following, is mostly devoid of dialogue or narration. There are panels that could be accused of being redundant and unnecessary, or meditative and brooding, depending on your take. Personally, I think it takes guts to allot two pages to silent wood collecting in a debut issue. It slows down the pace and allows the reader time to ruminate on Rasputin’s humble beginnings. Or maybe writer Alex Grecian just really likes stories about wood collecting.

Following this scene are two scenes that introduce Rasputin’s ability to not only heal wounds but to bring back the dead. In the latter of these scenes, Rasputin has the choice to revive a man-eating Siberian death bear or his abusive father. Sorry, dad, but this choice was too easy. The colors in these Siberia scenes are faded, low contrast blues and browns, presumably to reflect the hazy recollection of memories rather than a favorite Instagram filter.

Probably my favorite detail in the flashback portion of this issue is how the creative team chose to express the Rasputin clan’s illiteracy by using icons for items like “firewood” and “death” instead of written words. Ever since the “pizza dog” issue of Hawkeye, I’ve been dying for more “icon speak” in comics. Rasputin’s dying father uttering “[skull icon]” isn’t as cute as pizza dog, but beggars can’t be choosers.

Issue #1 wraps back at the dinner party where Rasputin calmly downs the glass of poisoned wine. By now it’s obvious that the ghost standing behind Rasputin is his dead father. Whether his ghost dad follows him around as a sort of revenge or as a demented guardian angel is not clear just yet. So far he’s just stood there with his hand on Rasputin’s shoulder, perhaps to show that Rasputin feels his overbearing influence even years after his death. Or maybe death has given his dad some much needed perspective about how much of a dick he was in life.


Should You Get It?

If you like slow-building historical magic realism fiction about occult religious figures with magic powers, then yes, probably you’d like this.

Gardner Mounce is a writer, speaker, listener, husband, wife, truck driver, detective, liar. When asked to describe himself in three words, Gardner Mounce says: humble, humble, God-sent. You can find him at or email him at 

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