Worst Best Picture: Is Casablanca Better or Worse Than Crash?

casablanca

Alex Russell

In “Worst Best Picture” we search every single Best Picture Oscar winner of all time from 1927 to present to uncover the worst of them all. Conventional wisdom says that 2005’s winner Crash is the worst winner in history. We won’t stop until we’ve tested every last one. Read the the first, our review of Crash, here. Posts will be relatively spoiler free, but there may be some details revealed. Today’s installment is the 1943 winner Casablanca. Is it better than Crash?

I’m not going to lie, it’s difficult to find something new to say about Casablanca. Fresh off The Godfather, I have to find something new to tell people about one of the other consensus picks for greatest movie of all time (G.M.O.A.T., which is not a great acronym). I think it’s this: Casablanca is one of the rare things in life that is as good as you hope it is.

We constantly expect disappointment from the supposed canon now. Just yesterday someone was telling me about a guy who wouldn’t watch Citizen Kane because he didn’t expect it to live up to the hype. I still haven’t read any of the (stop it) Game of Thrones (I know) books yet (note the yet, I said yet, you don’t have to tell me to) and I’m skeptical that they could possibly be as good as people say. None of us will take “this show is hilarious” as enough reason to watch something. We just tell people “oh, I’m sure, I’ll check it out” and then we continue with whatever we were going to watch anyway.

Is that so wrong? Do we need to be broadening ourselves on recommendations of the people we surround ourselves with or the cultural arbiters of our world? Casablanca exists as a monument to the argument that we do. The beautiful lines are still beautiful, 70 years later. The performances are incredible; Humphrey Bogart’s Rick has become one of American film’s most enduring characters, even though he didn’t win Best Actor for it that year. The love feels like love actually feels: complicated, painful, and overwhelming. Casablanca is a romantic movie and a war movie and it’s never one at the detriment of the other. It defies you to pick one of those to describe it.

I think that’s what comes through the most: it’s so many things. For the uninitiated, it’s the story of a brief period of time in Rick’s Cafe Americain, a bar/casino/nightclub/etc in Morocco in the early 40s. Rick doesn’t want to deal with the war, he just wants to drink and quip one liners to his patrons. His life of rolling his eyes at everyone’s silly “war” is broken up when his ex Ilsa shows up with her new beau Victor. It’s more complicated than all that (because it always is) but the movie depends on this triangle. It also depends on the war, but Casablanca is such a great war movie precisely because the war is never the biggest thing in any one scene. It’s not about combat, it’s about the realities of war outside the battlefield. Just how The Best Years of Our Lives is a war movie with no real war going on, Casablanca is a war movie that happens entirely in tensions between people. Oh, and a really loud version of “La Marseillaise.”

Gushing about one of the greatest triumphs in film history is a bad use of time. Let me say this, and we’ll move on to Crash: you’ve got to watch it. Just the same as I’ve got to find out about this throne and the wall and the debts and all that, you’ve got to fill in your cultural blanks. If one is Casablanca, you should start there.

The Best Part: This has to be the piano scene. Ilsa wants to hear “her song” “As Time Goes By” but Rick has banned it from his club because it pains him. We’ve all got that song. The melancholy of hurting yourself with music that’s so deeply connected to an old, beautiful time is an extremely specific emotion, but even though “As Time Goes By” is intensely dated by itself, the scene is timeless.

The Worst Part: Paul Henreid was supposedly worried that his portrayal of Victor Laszlo would typecast him as being “a stiff.” It’s a necessary character for the movie, of course, but you can definitely see where he was coming from. He’s the Scottie Pippen of the greatest movie of all time: a guy who only looks worse because he’s right next to Bogie’s Jordan.

Is It Better or Worse than Crash? I wrote this question and I’m offended by it. Casablanca is perfect in a lot of ways, but matched up against Crash you start to notice why subtlety is so important. Casablanca is about a tense time in a tense country, but it never feels forced. As you watch it you are aware of the political realities of the characters (like when the police look the other way for most things, but can’t ignore internationally important incidents) without people reading explanations into the camera. The meaning in Casablanca is there for you to find. Crash is a lesser movie in every way, but it’s specifically lesser in that it is so terrible about telling rather than showing. Casablanca hopes you’re smart enough to find everything in it; Crash thinks too little of you to even hide anything worth finding.

Worst Best Picture Archives: Crash | Terms of Endearment | Forrest Gump | All About Eve | The Apartment | No Country for Old Men | Gentleman’s Agreement |12 Years a SlaveThe Last Emperor | The Silence of the Lambs | The Artist | A Man for All Seasons | Platoon | The Lord of the Rings: The Return of the King | The King’s Speech | Rain Man | The Departed | The Bridge on the River Kwai | Marty | Gigi | It Happened One Night | Driving Miss Daisy | Shakespeare in Love | Wings | Midnight Cowboy | Rocky | Gone with the Wind| Chicago | Gladiator | Cavalcade | The Greatest Show on Earth | You Can’t Take It With You | The Best Years of Our Lives | The Godfather | Casablanca

Alex Russell lives in Chicago and is set in his ways. Disagree with him about anything at readingatrecess@gmail.com or on Twitter at @alexbad.

Image: rogerebert.com

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